“Those that refuse to learn from history are doomed to repeat it,” says artist Darick Robertson, when asked about the longevity of Transmetropolitan, the politically-charged cyberpunk comic that he co-created with author Warren Ellis in the late 90s. “The humanistic themes Warren put beneath our sci-fi — rich versus poor, political corruption from the top down, and ‘truth shall set you free’ — are resonant.”
Transmetropolitan — and its tattooed protagonist Spider Jerusalem, along with his filthy assistants, and many other familiar faces from the series — returns later this month, about ten years after the original critically-acclaimed series ended, in the form of a one-off charity art book (for more about the book itself, read our interview with its general production manager Chunk Kelly). Darick, along with a whole host of artists, will be contributing new pieces.
“[These characters] never feel like they’re away from me,” he says. “I get requested to draw them so often and they live in my head, so it’s not that much of a reach. I do however, miss Warren Ellis’ scripts.”